The moral lesson of "The White Horse of Alih" by Alvarez Enriquez is the destructive power of hate and revenge. The story explores how unchecked anger and prejudice can lead to tragic consequences. It also highlights the importance of understanding and tolerance in order to prevent violence and conflict.

Yes, there are many myths and legends about horses in various cultures. Some common ones include the idea of unicorns being horse-like creatures with a magical horn, the concept of Pegasus as a winged horse from Greek mythology, and folklore surrounding the mystical abilities of horses such as being able to see ghosts or predict the future.

Horses can eat grass and hay or haylage, but salt, concentrates and fruits or vegetables can also enhance their diets

Horses Cannot eat ,Chocolate ,Avocado, Lawn Clippings, Fruit with Pips and Stones Bread ,Potatoes and Other Nightshades, Yogurt and Other Dairy Products

Anna Sewell, the author of "Black Beauty," did not become wealthy from her book during her lifetime. She lived a modest life and relied on her family for financial support. After Sewell's death, "Black Beauty" went on to become a bestseller, but she did not live to see its success.

When Paul rides his rocking horse in "The Rocking-Horse Winner" by D.H. Lawrence, he enters a trance-like state and is able to predict the winners of horse races. This supernatural ability is driven by his intense desire to win money for his mother, who is constantly unhappy due to their financial struggles.

The author of "The White Horse of Alih" is Voltaire G. Oyzon, a Filipino writer known for his short stories and contributions to Philippine literature. The story is a poignant tale that explores themes of love, sacrifice, and cultural differences.

The White Horse of Alih is a story from Emigdio Alvarez Enriquez. Its title might be because Alih believes he will ride into heaven on a white horse.

The phrase "the horses were post" is not a common expression or idiom. It is possible that it is a typo or miscommunication. Could you provide more context or clarify the question?

The conflict in "Wild Horses" by Brian Fawcett revolves around the protagonist's struggle with their desire for freedom and independence conflicting with the constraints and responsibilities of their domestic life. The wild horses in the story symbolize this longing for freedom, highlighting the tension between societal expectations and personal desires.

A male baby horse is called a foal. It is usually referred to as a colt until it reaches the age of five, at which point it is considered a stallion.

The theme of "The White Horse of Alih" revolves around the conflict between tradition and modernity, the struggle for identity and cultural assimilation, and the consequences of revenge. It also explores the themes of love, betrayal, and the impact of societal expectations on individual choices.

The tone in "All the Pretty Horses" by Cormac McCarthy is often somber, reflective, and melancholic. It reflects the harshness of the characters' experiences, the challenges they face, and the loss of the traditional cowboy way of life. McCarthy's style often conveys a sense of isolation and longing for a simpler, more romanticized past.

The conflict in "The White Horse of Alih" revolves around the struggle faced by the main character, Alih, as he grapples with his loyalty to his brother Omar and his forbidden love for a Christian girl named Fallet. This conflict is heightened by the cultural and religious tensions between Muslims and Christians in their community. Ultimately, Alih is torn between seeking revenge for his family's honor and following his heart.

The narrator for "All the Pretty Horses" is an unnamed third person omniscient narrator, providing insight into the thoughts and feelings of the protagonist, John Grady Cole, as well as other characters and events in the story.

Yes, symbols play an important role in "All the Pretty Horses" by Cormac McCarthy. The horses symbolize freedom, independence, and the untamed spirit of the American West. The landscape itself, particularly the open plains and desolate borderlands, symbolize the harsh and unforgiving nature of the world the characters navigate.

White horses on the sea refer to the foamy white crests of waves formed by strong winds. This natural phenomenon occurs when wind whips up the surface of the water, creating foamy streaks resembling galloping white horses. It can be a sign of rough weather conditions at sea.

The value of a soapstone statue of Don Quixote and Rosa on horses can vary widely depending on factors such as size, artist, condition, and demand. Without more specific information, it is challenging to provide an accurate valuation. It is recommended to seek out appraisals from experts or auction houses specializing in fine art and sculptures for a more precise estimation.

Yes, when riding a horse, you can ask it to gallop by giving it the appropriate cues and signals. Galloping is a faster gait than trotting or walking, so be sure you are experienced and in a safe environment before asking your horse to gallop. Always prioritize the safety and well-being of yourself and your horse while riding.

In "The Destructors" by Graham Greene, symbolism is present in the destruction of the old house, which represents the dismantling of traditional values and the old social order. The act of tearing down the house symbolizes the breakdown of societal norms and the loss of innocence. Additionally, the character of T., who orchestrates the destruction, symbolizes the potential for chaos and anarchy when individuals embrace nihilistic beliefs.

"The Rocking-Horse Winner" by D.H. Lawrence can be analyzed from a psychological perspective to show the impact of materialism on individuals and families. The story explores themes of parental neglect, the pursuit of wealth to gain love and approval, and the psychological toll of living in a consumer-driven society. The protagonist, Paul, seeks validation through winning money to satisfy his mother's insatiable desires, ultimately leading to his tragic demise.

Edwin Muir published "One Foot in Eden" in 1956, a final collection which contains 'The Horses', his apocalyptic vision of war and destruction and of the primal grace and endurance of horses and their necessary relationship to man.

Phaethon was the boy who tried to drive the Horses of the Sun in Greek mythology. He was the son of the sun god Helios, and he attempted to drive his father's chariot across the sky, but lost control and nearly set the Earth on fire. Ultimately, Zeus struck him down with a thunderbolt to prevent further chaos.

"The Horse and His Boy" is a book by C.S. Lewis and there are currently no plans for a theatrical release of this story. It's part of "The Chronicles of Narnia" series, and adaptations of other books in the series have been made into movies, but "The Horse and His Boy" has not been announced as a film project yet.

Some classic poems about horses include "The Horses" by Edwin Muir, "Marengo" by Lord Byron, and "The Horses of the Sea" by Roy Campbell. These poems capture different aspects of the beauty, power, and symbolism of horses.

Ted Hughes wrote "A March Calf" in the mid-1970s, and it was published in his collection of poetry titled "Gaudete," which was released in 1977. The poem reflects Hughes's deep connection with nature and his exploration of themes like power and violence in the natural world.