Try Retrograde Motion or Diminution
The main motive in measures 17 - 20 is descending step-wise motion. The variation technique used to develop this motive could be augmentation, diminution, inversion, retrograde, or fragmentation.
One common variation technique used to develop a motive is sequence, where the motive is repeated at a different pitch level. This can create a sense of continuity and expansion within the music.
Try Retrograde Motion or Diminution
Try Retrograde Motion or Diminution
create variation in a musical motive by shortening it.
Common variation techniques for motives in music include transposition, where the motive is shifted to a different pitch level; inversion, which involves flipping the intervals of the motive; and augmentation or diminution, where the rhythmic values are lengthened or shortened, respectively. Additionally, fragmentation can be used, where only parts of the motive are presented, and orchestration changes can provide new textures and colors. These techniques help to develop and transform the original material, adding depth and interest to the composition.
Try Retrograde Motion or Diminution
Fragmentation and repetition in a motive create variation and development. Fragmentation breaks the motive into smaller parts, while repetition repeats these parts in different ways, leading to new melodies or themes. This process brings complexity and interest to the music.
Volts are the measure of Eletro motive force. (EMF)
around the megnet genrated field its call magneto motive force
A musical motive is not merely a random collection of notes; it typically consists of a distinctive, recognizable sequence that conveys a specific musical idea. Additionally, it is not static; motives can be transformed through variation, inversion, or development throughout a piece. Lastly, a motive is not confined to a single genre or style, as it can appear in various forms across different musical traditions.
A by-motive is a hidden motive.