Nearly all modern color photographic film processes use subtractive color because it is more efficient. It produces a very good facsimile of the original scene colors with less loss of light than with additive color. Each additive color filter subtracts two-thirds of the white light striking it, while each subtractive color filter transmits two-thirds. With three color dye layers in subtractive color film, all colors can be reproduced: the subtractive primaries are magenta, cyan, and yellow, each of which absorbs its complementary color. Combinations of these three colors can reproduce their shared additive primary. For example, magenta transmits red and blue, while absorbing green light. Cyan transmits blue and green, while absorbing red. When superimposed, both red and green are absorbed and only the shared blue transmission is permitted. By varying the density of each subtractive filter, virtually any color can be reproduced.
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addition Sum is the result of an addition problem. Difference is the result of a subtraction problem.
There are several approaches you can use. You can use another shade of yellow or brown. Or you can use a neighboring color on the color wheel and use orange or green. Or you can go for a contrasting color, and purple would be good for that.
Yes. If you use your eye to see the picture, you will see color. If you use photogrphic paper to record the image, whether or not you see color is determined by the nature of the film -black/white or color. There is nothing in the physics of the camera that prevents you from seeing color.
Use the black and white color pencils.
When you use a color wheel, you pick the color that you want and look dirctly across from it, this color means that it goes well with the one you have chosen. If you don't like the color across from it, try the 2 on either side of it. Remember that you don't always have to go for the obvious, be creative, and always be yourself!