a scale that is diatonic and pentatonic
Diatonic key signatures result from the diatonic scales. There are 15 diatonic scales and each of them have a key signature which corresponds to each scale. There is a circle of fifths which shows the system on how to come across each and every diatonic key signature and scale.
Yes
Seven
Diatonic scales contain 7 different notes, usually topped by the tonic note doubled at the octave.
All secondary dominants are merely diatonic chords with nondiatonic inflections. Secondary dominants in most instances proceed in the same manner as their diatonic counterparts. With few exceptions secondary dominants are partwritten the same as they would have been without accidentals. Secondary dominants came into being to strengthen the descending P5th progression. Occasionally a secondary dominant does not progress to its tonicized chord just as in diatonic music the dominant chord does not always progress to tonic.
a scale that is diatonic and pentatonic
Diatonic key signatures result from the diatonic scales. There are 15 diatonic scales and each of them have a key signature which corresponds to each scale. There is a circle of fifths which shows the system on how to come across each and every diatonic key signature and scale.
A diatonic scale is simply a regular major or minor scale.
Chromatic. Diatonic autoharps hadn't been invented yet.
Yes
mediant
B
Seven
Diatonic scales contain 7 different notes, usually topped by the tonic note doubled at the octave.
It is diatonic. Di means two, so you can think of it as two tones. A chromatic semitone would be from D to D#, or Eb to E. The difference is that Chromatic semitones use the same letter name twice, while diatonic semitones do not.
A diatonic accordion is a type of accordion that is designed to play in specific keys, typically chromatic or major/minor. The buttons on the diatonic accordion are arranged to produce specific notes when opened or closed, making it well-suited for playing folk music and traditional tunes.