I believe that is called a chord. Yes, a chord is the straight line segment that crosses a circle, from one side of the circle to the other. The biggest possible chord is the diameter. The curved part of the circle, cut off by the chord [or chords], is the arc or the angle.
The longest chord of a circle is its diameter
the chord is 4in long
yes
. . the chord.
Syncopation
Reggae style (off beat - each chord is 4 counts - strum on 2 and 4)
A suspended chord is a normal chord, but from there you move the middle finger up half a note. This often sounds slightly off. But many songs have a few.
Yes, Chord has been on shows such as iCarly, No Ordinary Family, and Private.
Parallel chords are A sequence of chords consisting of intervals that do not change as the chord moves. For example the chord of C (C,E,G) would be parallel to a following chord ofF (F,A,C)
I believe that is called a chord. Yes, a chord is the straight line segment that crosses a circle, from one side of the circle to the other. The biggest possible chord is the diameter. The curved part of the circle, cut off by the chord [or chords], is the arc or the angle.
Well, a diameter in a circle is a line that is symmetrical and runs through the center. A chord DOES NOT run through the center of any cirlcle. So, in all usual senses NO. A chord always sections off a "corner" of a circle. my opinion is no because a chord always sections of a circle.
Name a chord congruent to chord ZT.
an off beat rhythm is a jangling vibration.
It fells off about 10 days -14 days after the baby's birth.
Prelude No.20 in C minor Op.28 by Chopin - Harmonic AnalysisBar 1· Key-defining progression of i-iv-V-i· Tonic chords are pure· Subdominant and dominant are 7ths· The Eb transfers from I to IV and continues into the start of V as an augmented triad / as a kind of suspension also· Momentary augmented triad on the third beat of the first bar· The F as part of the chord V7 continues a dissonant soundBar 2The Neapolitan chord here is heard as chord IV of VI· Melody is sequenced on the submediant (6th) level· Harmony moves away from C and into Ab major. The whole bar could be thought of as I-IV-V7-I in Ab major· Bar 2, chord 3 is Eb7· C in chord 3 is a passing tone· Db in the second bar is considered a normal passing tone if under the Ab major tonalityBar 3· Focus is in C minor again· Bar 3, chord 1 is G7· Second chord is not c but C7 or V7/iv· Bar 3, chord 3 has an appoggiaturaBar 4· Drive is toward chord V, a half cadence that ends the entire 4-bar spanBar 5· The melody is on top and the harmonies are subtle unless bringing out a dissonance· This line starts by quoting the opening motive, as if the true melodic line has been shifted to this position· Bar 5, chord I is i minor· Bar 5, chord 2 is VI· Beat 3 presents two sonorities which distort the G chord rather than functioning as triads· Beat 3 aims at V with the Ab as a suspended note, and then a balancing lower half step is sounded through F#· Beat 4 has the arrival of G but with v in its minor form (passing chord)Bar 6· Bar 6, beat 2 is a very colourful French 6th on Ab· Bar 6, beat 3 where the goal for the bass motion is V and lingers here onto beat 4· Bar 6, beat 4 is V7Bar 7· The opening progression is very subtly included hereBar 8The Neapolitan chord here is heard clearly as N (root position)· Beat 1, chord 1 is VI is used to precede the Neapolitan chord· The Ab and Db chords quote bar 2· Beats 3 and 4 create a N-V7-i cadence· D natural is used in place of Db. The end of the piece puts a D natural in place of Db for a proper arrival back to C minorBars 9 -12· This is an echo phrase with the same materialBar 13· Punctuating final chord is a simple coda
Most 'common' forms of western music have the emphasis, or accent, on the beat, as in ONE, two, THREE, four, and chord changes most commonly occur there. In reggae, the accent lands on the off-beat, as in one, TWO, three, FOUR. it's a lot more complicated than that, but that's the basics.