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When we part it is not a seperation of two things but an expansion of one thing

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Which best paraphrases the last two lines of the second stanza of A Valediction Forbidding Mourning below?

i think it was a cock monster


What are the fallacies in a valediction forbidding mourning?

A Valediction: Forbidding Mourning is a poem by John Donne.


The paradox in a valediction of forbidding mourning?

a conceit


In A Valediction Forbidding Mourning the comparison of lovers souls to a drafting compass is an example of a?

In A Valediction Forbidding Mourning the comparison of lovers souls to a drafting compass is an example of a conceit.


What is the rhyme scheme in a Metaphysical poem?

A Valediction: Forbidding Mourning


Consider the second stanza of A Valediction Forbidding Mourning below What are tear floods and sigh tempests?

The second stanza of A Valediction Forbidding mourning states intense displays of emotions in that stanza.


What is the meter of A Valediction Forbidding Mourning?

"A Valediction Forbidding Mourning" by John Donne is written in iambic tetrameter, with each line consisting of four metrical feet.


Why is John Donnes A Valediction Forbidding Mourning not typical of Metaphysical poetry?

Unlike other metaphysical poetry, "A Valediction Forbidding Morning" has a regular rhyme scheme. a conceit


What paraphrases the narrator's meaning when saying 'so let us melt and make no noise' in A Valediction Forbidding Mourning By John Donne?

Let our seperation be as quiet and untroubled as when a virtuous man dies.


Used in the second stanza of A Valediction Forbidding Mourning what does profanation mean?

A cheapening or degrading


Which of the following best paraphrases this excerpt from a valediction forbidding mourning ordinary changeable love suffers when the lovers are separated because it based in physically?

. we have no reson to mourn,so let us part quietly. bboypanda:p


What does the narrator introduce in this line from A Valediction Forbidding Mourning If they be two they are two so?

The poem's conceit