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What else can I help you with?
Relationship between the frequency of the overtones and the and the fundamental frequency?
Fundamental frequency = 1st harmonic.2nd harmonic = 1st overtone.3rd harmonic = 2nd overtone.4th harmonic = 3rd overtone.5th harmonic = 4th overtone.6th harmonic = 5th overtone.Look at the link: "Calculations of Harmonics from Fundamental Frequency".
Why is 6 divisible by 438?
It isn't. 438 is divisible by 6 because 438 is a multiple of 6.
What is the mathematical definition for a length of a factor string?
The number of numbers in the string; how long it is.
What is the relationship between density and frequency?
Frequency is equal to inverse of the square root of density. As the frequency of a string for example goes up the density will go down but in a non-linear fashion. That is to create higher and higher frequencies less and less density decreases are required.
How do you know when you have found the longest factor string for a number?
All of the factors are prime.
What do you call an overtone that is a whole number multiple of the fundamental frequency of a string?
Harmonic is an overtone that's a whole-number multiple of a fundamental frequency. (Penn Foster page 48 of the Sound study guide)
Tone produced by one vibration of a string?
The tone produced by one vibration of a string is called a fundamental frequency. This fundamental frequency is the lowest frequency at which the string will vibrate, and it determines the pitch of the note that is produced.
What is a harmonic note?
A harmonic note is a musical tone that is produced by a vibrating object, such as a string or column of air, vibrating at a frequency that is a whole number multiple of the fundamental frequency of the object. Harmonic notes are higher pitched tones that blend with the fundamental frequency to create complex timbres in music.
What is the tone produced by one vibration of a string?
fundamental frequency
What has a higher frequency than the fundamental frequency?
The harmonics of a sound or vibration have higher frequencies than the fundamental frequency. Harmonics are multiples of the fundamental frequency that combine to create the overall sound or waveform.
The fundamental frequency of a string is 550 hz what is the first harmonic frequency of the string?
The first harmonic, is the fundamental frequency, or 550 Hz. The second harmonic would be twice that, or 1100 Hz. The third would be twice that, or 1650 Hz and so on...
What is the third harmonic for a violin string?
That is three times the fundamental frequency. Scroll down to related links and look at "Calculations of Harmonics from Fundamental Frequency".
How are the overtones related to the fundamental frequency of a vibrating string?
The fundamental = 1st harmonic is not an overtone!Fundamental frequency = 1st harmonic.2nd harmonic = 1st overtone.3rd harmonic = 2nd overtone.4th harmonic = 3rd overtone.5th harmonic = 4th overtone.6th harmonic = 5th overtone.Look at the link: "Calculations of Harmonics from FundamentalFrequency".
If a string vibratesat the fundermental frequency of 528hz and also produces an overtone with a frequency of 1056hzthisovertone is the?
If a string vibrates at the fundamental frequency of 528 Hz and also produces an overtone with a frequency of 1,056 Hz, this overtone is the
The lowest frequency possible in a vibrating string undergoing resonance?
The lowest frequency possible in a vibrating string undergoing resonance is called the fundamental frequency. It occurs when the string vibrates in a single segment, producing the longest wavelength and lowest pitch.
If a string vibrates at the fundamental frequency of 528 hz and aiso produces an overtone with a frequency of 1056hz this overtone is the?
first harmonic
Mersenne's Law says the frequency of a vibrating string is inversely proportional to the square root of the mass per unit length but why not simply to the mass per unit length?
Why not? Not to be overly terse . . . because it's NOT inversely proportional to the mass per unit length. It's inversely proportional to the SQUARE ROOT of the MPUL. If the fundamental frequency of a string were inversely proportional to its MPUL, then doubling the MPUL of the string would cut the fundamental frequency in half (that is, reduce it 50 percent). But we know from observation and analysis that that is not the case. If we double the MPUL of the string, then the fundamental frequency is reduced by about 29 percent, not 50 percent. To reduce the fundamental frequency of the string by half, we would have to quadruple the MPUL of the string!
