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Name a chord congruent to chord ZT.
If radius of a circle intersects a chord then it bisects the chord only if radius is perpendicular to the chord.
The radius of the circle that is perpendicular to a chord intersects the chord at its midpoint, so it is said to bisect the chord.
because the chord can be determine by the diameter and the diameter can be determine by the chord.
The mathematical symbol for "no change" is typically represented by the equal sign (=). This symbol indicates that both sides of the equation are equal and there is no change in value. In some contexts, the symbol for no change can also be represented by a horizontal line with an arrow pointing to the right, indicating that the value remains constant over time.
The symbol for a dominant 7th chord is typically written as just the root note of the chord followed by a "7" (e.g., G7 for a G dominant 7th chord).
The chord symbol for a dominant 7 flat 9 in the key of C major is C7b9.
The symbol for homozygous dominant is represented by two uppercase letters of the dominant allele, such as "AA" for a dominant genetic trait.
The diminished chord symbol is represented by a small circle () or the abbreviation "dim." It is used in music theory to create tension and dissonance in a chord progression, often leading to resolution to a more stable chord.
Dominant and sub-dominant refers to notes of a scale. The dominant is the fifth note (represented with a roman numeral, V) of a scale while the sub-dominant is the fourth (IV) note of that scale. For example, in scale of C major, the dominant is G and the sub-dominant is F.The terms dominant ans sub-dominant can also refer to chords, scales or keys. A dominant chord is one that is built on a dominant note. Musically, the dominant chord is considered to be unstable and must be resolved. Therefore, a dominant chord can be used to build tension in a chord progression.Dominant keys refer to the relationship between notes. For instance, key of G is the dominant key relative to C. Music that changes key often shifts between a tonic and its dominant.
A movement from the tonic to the dominant seventh chord.
The Hendrix chord typically refers to a Dominant 7th sharp 9 (or 7#9) chord which is simply an extension of a Dominant 7th chord (R,3,5,b7) with an added #9
To write a dominant 7th chord, start with the root note of the chord, then add the major third, perfect fifth, and minor seventh above that root note. The formula for a dominant 7th chord is 1-3-5-b7.
The dominant seventh chord in the key of B major is the F dominant seventh chord (F7). It serves as the fifth chord in the key and creates tension that resolves back to the tonic chord (B major), adding a sense of movement and excitement to the music.
The dominant seventh chord is typically found in the fifth key of a major scale.
A dominant seventh chord is built on the fifth scale degree of a major scale.
The dominant of A major is the chord: E - G# - B