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Learning to use foregrounds in our photographs is tricky because we tend to focus on the subject of our photograph and forget about everything else. When we are learning about foregrounds, one of two things often happens. The first thing is we may ignore objects in the foreground if they are distracting or if they don't contribute to the story of the photograph.

If we don't have that problem, the second possible problem is that we have foreground space in the photograph, but there's nothing there. For example, think about the Grant photograph above. Imagine what it would look like if there was a field where the river and shrubs are. The photograph would lack some of the interest and drama that it has now. It might still be a good photograph, but including an interesting foreground makes the image better.

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