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When is a Chord a diameter?
The longest chord of a circle is its diameter
In a circle whose diameter is 20in and a chord is 6in from the center what is the length of the chord?
the chord is 4in long
Does a diameter that is perpendicular to the chord bisect the chord?
yes
If a diameter is perpendicular to a chord then the diameter bisects?
. . the chord.
How do you calculate the coordinates of chord given the length of radius and chord?
You cannot. If you rotate the circle around its centre, the lengths of the radius and chord will remain the same but the coordinates of the chord will change.
A cadence that ends on a V7 chord is?
Half cadences are any cadences that end on V or V7.
Spell the V7 chord in Bb minor.?
In that key, the V7 is F, A, C, E-flat.
How do you spell the V7 chord in B flat minor?
F, A, C, Eb
What does V7 mean in music theory?
It means the dominant seventh chord. In C major this would comprise of the notes G B D and the seventh F
Identify the style of music that most commonly follows the following chord progression you IV you V7 you?
folk
Identify the style of music that most commonly follows the following chord progression 1 1v 1 v7 1?
the blues
What scale can you use with a F7 chord?
There are several types of seventh chords, but the most common type of chord is the Dominant 7th(or V7)chord. A Dominant 7th chord is the strongest way to approach the Tonic (I) chord.The Dominant 7th chord with a root of F is diatonic (naturally occurring) to the Bb major scale to reach the Bb major (I) chord. It is also used in the Bb minor scale to reach the Bb minor (i) chord.The F7 chord is also (less commonly) used in the key of Eb major to reach the Bb major (V) chord. The Bb7 is then used to reach the Ebmajor(I) chord.
Is a 1 v 1V V 1 chord progression allowed in traditional classical chord progressions?
If that's a minor V moving to a IV chord, then no, it's not allowed. A minor V doesn't fit in anywhere in a major key, nor is V permitted to move directly to IV. To have a lowered 7th scale degree in the 2nd chord, leading to IV, try a V7/IV. It's a I chord with a minor 7th in it, working as a secondary dominant.
Is there going to be a Tamagotchi V7?
yes there is a v7 TamaTown i have one GOOD LUCK!!!
Is v7 tamagotchi in Australia?
Sorry but the v7 is not real, and even if it is, it would still be in Japanese. They are also translating the tamagotchi color into English.
What date is the v7 coming out in Canada?
Bandai didn't name it a "V7". It's Tama-go. Released at the end of July to the beginning of August.
Where can I find a harmonic analysis of Prelude No 20 in C minor Op28 by Chopin?
Prelude No.20 in C minor Op.28 by Chopin - Harmonic AnalysisBar 1· Key-defining progression of i-iv-V-i· Tonic chords are pure· Subdominant and dominant are 7ths· The Eb transfers from I to IV and continues into the start of V as an augmented triad / as a kind of suspension also· Momentary augmented triad on the third beat of the first bar· The F as part of the chord V7 continues a dissonant soundBar 2The Neapolitan chord here is heard as chord IV of VI· Melody is sequenced on the submediant (6th) level· Harmony moves away from C and into Ab major. The whole bar could be thought of as I-IV-V7-I in Ab major· Bar 2, chord 3 is Eb7· C in chord 3 is a passing tone· Db in the second bar is considered a normal passing tone if under the Ab major tonalityBar 3· Focus is in C minor again· Bar 3, chord 1 is G7· Second chord is not c but C7 or V7/iv· Bar 3, chord 3 has an appoggiaturaBar 4· Drive is toward chord V, a half cadence that ends the entire 4-bar spanBar 5· The melody is on top and the harmonies are subtle unless bringing out a dissonance· This line starts by quoting the opening motive, as if the true melodic line has been shifted to this position· Bar 5, chord I is i minor· Bar 5, chord 2 is VI· Beat 3 presents two sonorities which distort the G chord rather than functioning as triads· Beat 3 aims at V with the Ab as a suspended note, and then a balancing lower half step is sounded through F#· Beat 4 has the arrival of G but with v in its minor form (passing chord)Bar 6· Bar 6, beat 2 is a very colourful French 6th on Ab· Bar 6, beat 3 where the goal for the bass motion is V and lingers here onto beat 4· Bar 6, beat 4 is V7Bar 7· The opening progression is very subtly included hereBar 8The Neapolitan chord here is heard clearly as N (root position)· Beat 1, chord 1 is VI is used to precede the Neapolitan chord· The Ab and Db chords quote bar 2· Beats 3 and 4 create a N-V7-i cadence· D natural is used in place of Db. The end of the piece puts a D natural in place of Db for a proper arrival back to C minorBars 9 -12· This is an echo phrase with the same materialBar 13· Punctuating final chord is a simple coda
